TTT | Books on My Winter 2022-2023 To-Read List

Wanted: One (very real) husband, nowhere near perfect but desperately trying his best. In Boyfriend Material, Luc and Oliver met, pretended to fall in love, fell in love for real, dealt with heartbreak and disappointment and family and friends…and somehow figured out a way to make it work. Now it seems like everyone around them is getting married, and Luc’s feeling the social pressure to propose. But it’ll take more than four weddings, a funeral, and a hotly contested rainbow balloon arch to get these two from “I don’t know what I’m doing” to “I do”.

Good thing Oliver is such perfect Husband Material.

It all starts when Shani runs into May. Like, literally. With her mom’s Subaru. Attempted vehicular manslaughter was not part of Shani’s plan. She was supposed to be focusing on her monthlong paleoichthyology internship. She was going to spend all her time thinking about dead fish and not at all about how she was unceremoniously dumped days before winter break. It could be going better. But when a dog-walking gig puts her back in May’s path, the fossils she’s meant to be diligently studying are pushed to the side—along with the breakup. Then they’re snowed in together on Christmas Eve. As things start to feel more serious, though, Shani’s hurt over her ex-girlfriend’s rejection comes rushing back. Is she ready to try a committed relationship again, or is she okay with this just being a passing winter fling?

Queer actor Lily Ashton has found fame playing lesbian warrior Morgantha on the hit TV show Galaxy Spark. Lily knows how little representation queer girls have, so when the showrunners reveal that Morgantha’s on-screen love interest, Alietta, is going to be killed off, Lily orchestrates an elaborate fake-dating scheme with the standoffish actress who plays her, to generate press and ensure a happy ending for the #Morganetta ship. But while playing a doting girlfriend on- and off-screen, Lily struggles with whether a word like “girl” applies to them at all. Lily’s always been good at playing a part. But are they ready to share their real self, even if it means throwing everything they’ve fought for away?

Maria’s one-night-stand—the thick-thighed, sexy Viking of a man she left without a word or a note—just reappeared. Apparently, Peter’s her surly Gods of the Gates co-star, and they’re about to spend the next six years filming on a desolate Irish island together. She still wants him, but he now wants nothing to do with her. Given time, maybe they can be cooperative colleagues or friends—possibly even best friends—but not lovers again. No matter how much he aches for her. For years, they don’t touch off-camera. But on their last night of filming, their mutual restraint finally shatters, and all their pent-up desire explodes into renewed passion. Too bad they still don’t have a future together, since Peter’s going back to Hollywood, while Maria’s returning to her native Sweden. She thinks she needs more than he can give her, but he’s determined to change her mind, and he’s spent the last six years waiting. Watching. Wanting. His shipwrecked Swede doesn’t stand a chance.

Aiza has always dreamt of becoming a Knight. It’s the highest military honor in the once-great Bayt-Sajji Empire, and as a member of the subjugated Ornu people, Knighthood is her only path to full citizenship. Ravaged by famine and mounting tensions, Bayt-Sajji finds itself on the brink of war once again, so Aiza can finally enlist in the competitive Squire training program. It’s not how she imagined it, though. Aiza must navigate new friendships, rivalries, and rigorous training under the unyielding General Hende, all while hiding her Ornu background. As the pressure mounts, Aiza realizes that the “greater good” that Bayt-Sajji’s military promises might not include her, and that the recruits might be in greater danger than she ever imagined. In this breathtaking and timely story, Aiza will have to choose, once and for all: loyalty to her heart and heritage, or loyalty to the Empire.

It’s the night before Death-Cast goes live, and there’s one question on everyone’s mind: Can Death-Cast actually predict when someone will die, or is it just an elaborate hoax? Orion Pagan has waited years for someone to tell him that he’s going to die. He has a serious heart condition, and he signed up for Death-Cast so he could know what’s coming. Valentino Prince is restarting his life in New York. He has a long and promising future ahead and he only registered for Death-Cast after his twin sister nearly died in a car accident. Orion and Valentino cross paths in Times Square and immediately feel a deep connection. But when the first round of End Day calls goes out, their lives are changed forever—one of them receives a call, and the other doesn’t. Though neither boy is certain how the day will end, they know they want to spend it together…even if that means their goodbye will be heartbreaking.

Thanks to her thriving art career, Miriam Blum finally has her decoupaged glitter ducks in a row—until devastating news forces her to a very unwanted family reunion. Her beloved great-aunt Cass has passed and left Miriam part-owner of Carrigan’s, her (ironically) Jewish-run Christmas tree farm. But Miriam’s plans to sit shiva, avoid her parents, then put Carrigan’s in her rearview mirror are spoiled when she learns the business is at risk of going under. To have any chance at turning things around, she’ll need to work with the farm’s grumpy manager—as long as the attraction sparking between them doesn’t set all their trees on fire first. Noelle Northwood wants Miriam Blum gone—even if her ingenious ideas and sensitive soul keep showing Noelle there’s more to Cass’s niece than meets the eye. But saving Carrigan’s requires trust, love, and risking it all—for the chance to make their wildest dreams come true.

The Flanagan sisters are as different as they come. Seventeen-year-old Annalie is bubbly, sweet, and self-conscious, whereas nineteen-year-old Margaret is sharp and assertive. Margaret looks just like their mother, while Annalie passes for white and looks like the father who abandoned them years ago. When their house is vandalized with a shocking racial slur, Margaret rushes home. She expects outrage. Instead, her sister and mother would rather move on. For Annalie, this was meant to be a summer of new possibilities, and she resents her sister’s sudden presence and insistence on drawing negative attention to their family. Meanwhile Margaret is infuriated with Annalie’s passive acceptance of what happened. For Margaret, the summer couldn’t possibly get worse, until she crosses paths with someone she swore she’d never see again: her first love, Rajiv Agarwal. As the sisters navigate this unexpected summer, an explosive secret threatens to break apart their relationship, once and for all.

Ella is a 17-year-old weaver whose entire livelihood depends on her loom. After her father died in debtor’s prison, she had to support herself by taking whatever clients she could get. In order to buy her supplies she goes into debt of her own, and when her loom breaks, Ella realizes she needs more help than a repair person can give her. She, like everyone, has heard about the old washerwoman spirit called the Bean-Nighe who will grant any one wish—for a price. The loom is fixed, and she creates beautiful pieces she could have never imagined before. All she has to do is feed the loom a drop of blood each time she weaves—a small price to pay for such magnificent silks. It seems like Ella’s fortune is finally turning for the better until she begins to notice the loom taking more from her than she offered. As she becomes entangled in the lives of the city’s rich and trapped by the Bean-Nighe’s magic, Ella must figure out a way to secure her future while she still has a future at all.